Being First Chair in Orchestra

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A couple of years ago, I was working with one of my cello students who had become first chair in her school orchestra. The subject of “what it really means to be first chair” was something that we spoke about many times.

Chair Test Auditions

Many of the orchestra and band directors in my local area have weekly, or bi-weekly chair tests. These auditions encourage them to practice, since everyone wants to move up in seating position.

Playing The Solo Parts

The most important reason that students want to be first chair is that they want to be the soloist, should there be a solo part for their section. As these students grow older and get to be more experienced, they will start to find that there is more to being a first chair “principal” musician.

Responsibility For Others In The Section

As a student progresses into more advanced orchestras and bands, they’ll usually find that being first chair means that they are increasingly becoming responsible for how their section plays. It is normally understood that the conductor is the one that creates the overall sound for the orchestra, but a lot of the detailed information on how a part should be played is generally worked out through the principal instrumentalist. When sectionals are held, the principal instrumentalist (or section leader) is, many times, the one that will hold the session and work out issues that anyone in the section has.

Being A Leader

When students start out playing in beginning band and/or orchestra, they become familiar with the “am I right?” syndrome. They start to listen to one another and try to figure out what’s going on. If no-one sets an example as a leader, the section usually starts to get lost even when the conductor is focusing on that group. At times, one student will be playing in one place, another one will be somewhere completely different and others will just be sitting there having no idea where they are supposed to be. This is the time for the students that have the most confidence in themselves and their training shine, and usually end up becoming first chair.

Benefits Of Private Lessons

Usually, the students that take private lessons outside the school, are the ones that forge ahead, become the leaders and therefore first chair. The main reason for this is not that they normally play better than the surrounding students who don’t take any private lessons, but that they gain enormous amounts of confidence when working with a professional musician and therefore become the natural leader of the section. When everyone in a section is taking private lessons, than things really get competitive and the students try even harder! These are usually the students that get into the regional honor bands and orchestras, and then move on to the extremely competitive all-state groups.

About the Author

Jerry has taught music professionally for 17 years. He is also a concert piano tuner in Houston, Tx.

Aside from his music, Jerry enjoys working with websites designed to help consumers find what they are searching for online. His latest site will help you find a convection toaster oven.

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Getting Your Money’s Worth – The Pros and Cons of Sonic Producer

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When you sign up for an online service designed to make professional backing beats for your music, especially one that costs you money, you want to make sure that you are going to get what you pay for, if not more. Does the service live up to its reputation? Can you actually do what it advertising using the service? Can you get the same thing elsewhere for the same price or cheaper? Getting your Money’s worth is a valid question that should be addressed before spending a dime! Sonic Producer is the most acclaimed online beat-making service available today and it does, in fact live up to its claims.

The Pros: Like all services there are good things and bad, but the positive definitely out weights the negative in the case! To begin with, you get professional quality sounds with which you can create astoundingly awesome beat tracks. The service allows you manipulate the beats any way you want, giving you the freedom to compose without constraint. The interface is simple and quick to learn. The playback is instantaneous and offers visual and well as sonic details to let you hone any part you wish to improve. The sound bank available is vast and placing the sounds within your music project is only a click of a button. You can also play the rhythms live, if you prefer, using the on screen keyboard, drum pads, or your own instruments attached to your computer. Once you have created the perfect backing track you can save it to your hard drive and use it immediately! Making beats has never been this fun and easy!

The service’s other features are thumbs up too! Online lessons are available for those wishing to gain the upper hand by advancing their knowledge of theory or performance techniques. Technical help is provided as well so you never have to worry about hitting a snag with what button push or how to finish getting that professional sound. There is practically nothing bad about making beats online with Sonic Producer!

The Cons: There is almost nothing bad about Sonic Producer! I have been using similar software for years and making music for much longer (almost 30 years now!) and the features offered by the service are amazing! The one thing I would say is negative about Sonic Producer is that you cannot save your beat file in any format other than an mp3. I would prefer a WAV of AIFF file to reduce compression issues later, but you do get the option to save to disc using a high bit rate, so working with the files you are able to save is still a great way to go!

The bottom line is Sonic Producer is well worth the price you pay for the service at just under $30. No need to take my word for it, though. They offer a full money back guarantee, so trying it out presents no risks what so ever!

Not convinced? Why not read another review by clicking here: Sonic Producer Review.

Happy Beat Making!

Will Connor Percussionist, Ethnomusicologist, and Music Ph.D. Candidate London, England and Honolulu, Hawai`i

About the Author

Connor grew up in S.C. watching kung fu & rubber monster movies & reading Gothic literature. After getting a degree in Acoustics/Music, he played drums w/ many goth, jazz, punk, art rock, & noise bands. He studied Tlignit drums in AK & played Asian percussion, studied Tibetan instruments, & got an Ethnomusicology MA in HI. Connor has travelled to over 25 countries to play/study music. He lives in London playing music & working on his music Ph.D.

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